|
|
|
Erzherzog Leopold Wilhelm in seiner Galerie in Brussel Gemälde ID:: 66308
Siehe Galerie in Schweden
|
Erzherzog Leopold Wilhelm in seiner Galerie in Brussel ca. 1651
Oil on canvas
123 x 163 cm (48.43 x 64.17 in) ca._1651
Oil_on_canvas
123_x_163_cm_(48.43_x_64.17_in)
|
|
|
|
|
|
|
|
The Temptation of St. Anthony Gemälde ID:: 66307
Siehe Galerie in Schweden
|
The Temptation of St. Anthony 2nd third of 17th century
oil on copper plate
55 x 69 cm (21.65 x 27.17 in) 2nd_third_of_17th_century
oil_on_copper_plate
55_x_69_cm_(21.65_x_27.17_in)
|
|
|
|
|
|
|
|
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel Gemälde ID:: 67677
Siehe Galerie in Schweden
|
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel ca. 1651
Oil on copper
106 X 129 cm (41.73 X 50.79 in) ca._1651
Oil_on_copper
106__X__129_cm_(41.73__X__50.79_in)
|
|
|
|
|
|
|
|
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel Gemälde ID:: 70200
Siehe Galerie in Schweden
|
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel Medium Oil on copper
Dimensions 0106 X 129 cm
Medium_Oil_on_copper
_
Dimensions_0106_X_129_cm
|
|
|
|
|
|
|
|
Drei musizierende Bauern Gemälde ID:: 80105
Siehe Galerie in Schweden
|
Drei musizierende Bauern 2nd third of 17th century
Oil on panel
40 x 58 cm
cjr 2nd_third_of_17th_century_
Oil_on_panel
_
40_x_58_cm
_
cjr
|
|
|
|
|
|
|
| Vorheriger Künstler Nächster Künstler
|
|
David Teniers the Younger
|
(December 15, 1610 C April 25, 1690), a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder.
Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonne) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter, Anne Breughel, the daughter of Jan (Velvet) Breughel, married Teniers in 1637.
|
|